Sir Gawain and the Green Knight, is a fourteenth century poetic masterpiece. No mere Arthurian romance, it is a work of huge religious, spiritual and mystical power. In subjecting its hero to the hardest of temptations, it reveals the hollowness of the chivalric ideal, the weakness of men and the loneliness of the human condition.
According to British medieval legend and myth, the island now known as Britain was once named Albion after an exiled queen named Albina.
The Folklore of Cornwall: The Oral Tradition of a Celtic Nation addresses everything from piskies – south west Britain’s fairies – to mermaids, harvest festivals, a corpse visiting his betrothed, and the giants long noted for making the Cornish peninsula their home. And amid all this are the spirits of the mines – knockers together with the tommyknockers, their New World descendants.
In the early 17th century, the celebrated London engraver William Hole created some of the strangest maps of Britain ever commissioned to illustrate Poly-Olbion, a vast 15,000-line topographical poem by Michael Dayton (1563-1631).
The epic unfinished poem, The Faerie Queene by Edmund Spenser, published 1590-96, created a parallel of the medieval universe.
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