Folklore as a Mode of Tyrannical Resistance
Folklore can be said to flourish in times of unrest and oppression, and can be seen as a powerful and imaginative means of resistance to social tyranny.
Folklore can be said to flourish in times of unrest and oppression, and can be seen as a powerful and imaginative means of resistance to social tyranny.
The Chime Child is one of the most enchanting books I know. It begins with the rustle of autumn deep in the Somerset countryside where villagers, mindful of the old ways, have set up a corn dolly for Harvest Festival.
British regional folklorists of the 19th century remain, in many cases, rather obscure figures. Margaret Helen James (1859–1938) deserves particular attention for using her writing about folklore to give a voice to ordinary women and critique a patriarchal society, but until 2017 James was completely forgotten.
The great Victorian fairy fascination held its grip over culture into the early 20th century. In the wake of the Cottingley photographs, the dark folkloric sprites had seemingly transformed into benign nursery beings.
You cannot venture into the world of internet Folklore without stumbling on the constant squabbles over what folklore is “right” and which version of a story is “correct”, yet the funny thing is that the fact these arguments exist means that people are not grasping how complex Folklore is, nor understanding the forces that drive it.
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